Category Archives: Writing

ASKING FOR A FRIEND…

I suck at asking for favors, so…

Recently, during a meeting of my writing critique group, when I was asked if I had gotten input from my Beta Readers on my latest book (before self-publishing) — I said, “No.”

 

Gasps of disbelief rippled around the table.

I felt like a leper.

I could feel the writers nearby withdrawing to safer, more purified air.

 

“WHY?” poured from every pair of lips, as they glanced uncomfortably at each other, while offering suggested excuses for my being such a scourge on the writing community at large.

“What are you afraid of?” “Lots of people are willing to be Beta Readers!” One individual even offered to trade — “I’ll read yours if you read mine.” (Reminded me of days long gone by on the playground, with the little boy who lived down the block…but, I digress.)

 

Initially, they almost had me convinced that “yes” I was afraid for others to read my work. But, as the inquisition continued, I found my own voice, and told them:

 

“I think it’s an awful lot to ask of someone in this crazy-busy world we are living in, to spend many hours (if not, days) reading another person’s work. Thus, I have avoided this part of the process.”

 

The whole experience reminded me of a piece I wrote many years ago, about everyone wanting a piece of my pie/time —but, that’s a story for another day.

 

Dear Readers:  Please click on the comment button above, and tell me how you deal with asking for a chunk of other people’s time…I may be looking for Beta Readers for my next book, and could use your sage advice!

 

 

ANNIE MAE IS BACK IN TOWN!

Standing Ovation (The Mari Mort Theater Trilogy – Book Two) has finally made it’s debut!

Annie Mae Steinberg continues her adventures in Los Angeles in the year, 1900!

This, my latest offering, follows Mae’s first appearance in The Mari Mort Theater Trilogy- Book One:  Mae’s Revenge.

 

https://www.amazon.com/Maes-Revenge-Mari-Theater-Trilogy/dp/154707874X
https://www.amazon.com/gp/product/1081355034/ref=dbs_a_def_rwt_bibl_vppi_i3

I hope will enjoy both! And stay tuned for Book Three:

 Encore! Encore!

 

BROTHERLY LOVE?

The Manfred Story—1985 Writing Assignment…

Manfred padded into my hospital room wearing bedroom slippers and no socks about three the next day, not wanting me to expect regular visits of compassion, his being busy with his cockroach collection and all. Told him I neither expected nor wanted them, his camaraderie being something I had gotten used to doing without some fifteen years ago around the time we began sharing the dim little flat I hated to admit was home. He did tell me he wouldn’t rent out my room while I was laid up, felt he owed me at least that since I was his brother and all, and felt like he owed at least that much to our mother, “May she rest in peace.” He had this annoying habit of always tacking on that stupid epitaph whenever he mentioned our long-dead mother. I knew at that moment that by the time my confinement ended, I would probably not only hate my priggish brother, but my poor mother as well.

Thinking about being chained to that bed by the octopus contraption suspending my mangled leg, and having to endure even irregular visits from Manfred, I began plotting my escape. There had to be a way out, but the doctor only laughed when I suggested that night that a pair of crutches would free the bed up for somebody who really needed it, malpractice suits, that sort of thing.

I was doomed to endless ramblings about gutter-side neighborhood happenings, listening to excerpts from The Old Man and the Sea, insincere words of cheer, from Manfred’s drool-dripping lips, until in my second month of sober imprisonment the idea struck of pretending to lapse into a coma, a result of a delayed concussion from the tumble into my premature grave.

Manfred, being the ignorant porker that he was, believed these theatrics for two-and-a-half weeks until one of his cronies told him he overheard a doctor on the street at his lunch hour talking over my case with another hospital type.  Reported that they were going to release me if I continued to improve at the rate I seemed to be.

He descended on me within days of hearing this good news to assure me he really was glad I had regained consciousness, because he had something urgent to discuss, which turned out to be not so urgent, but he thought that was the only way I would agree to let him stay in the same room with me for more than two minutes. And he was right, having been without a drink for about two months, I was not fit company for even normal folks, let alone this sloth I had to admit was related. Sobriety making it even more difficult to look at him, his distended belly eliminating even a hint of belt somewhere where his middle was assumed to be, yellowed teeth, stained tee shirt, that sort of thing. Anyway, it seems when he agreed not to rent out my room he was sure I’d be up and good as new within a week or so, but my coma act convinced him that taking in a boarder might not be such a bad idea after all, him being afraid of being alone as he was, which he did, but now didn’t know what to do about, so he wanted me to be sure to give him plenty of notice so the other guy could clear his pigeon coups and stuffed squirrel collection, that sort of thing, out of my room before I got out and came back to the flat, if that’s what I was planning to do. Told me he would understand if I wanted to look for a place of my own, since he guessed I probably wouldn’t be drinking anymore because of the fate it brought me to.

Good God, what an idea, not to go back there, maybe sobriety would be worth it, my head gears shifted into third. No more Manfred, no more enduring conga-accompanied monologues about Moby Dick, watching spit drip down that double chin. Maybe sober I could do it – escape, sweet thought. Had to concentrate. Manfred left.

Spent the next week and a half reading apartments for rent pages, too much money, no private bath, that sort of thing, until at last I found it — third floor one bedroom, he’d never make it up all those steps, it was perfect. Called and set myself up for the day I was getting out.

Had to see Manfred one more time before I could leave, called, said he was busy reading or something, couldn’t make it out. Told him he could keep his new roommate, I wouldn’t be coming back, but now I couldn’t leave the hospital with no trousers to wear because of the shearing they took when I was brought in. Said he would see what he could do since he promised our mother, “May she rest in peace,” that he’d look out for me when she died. Told him I would let him out of that promise if he’d just bring me the trousers as quick as possible, I was anxious to breathe fresh air and take a walk and maybe see some other faces, and he brought them, after waiting two days, that was to be expected.

Manfred was a little slow-witted, not all home, playing with a light deck, that sort of thing. And I was ready to forgive him for taking so long and all, and I would have, if he hadn’t taken that awful tumble on the way into my hospital room, hitting his head on the protruding part of the bedpan on the table by the door, and died before I could. That was to be expected, if you knew Manfred as I did.

16 Out of 10 Tips Can’t be Wrong!

  1. The writer’s job is to get the main character up a tree, and once they are up there, throw rocks at them.

Vladimir Nabokov

A story without challenges is just plain dull. Nobody wants to read that. Readers want an escape, and it’s your job to give them that.

  1. There is only one plot – things are not what they seem.

Jim Thompson

This kinda made my head explode (in a good way). My eyes were opened. I realized that we want – as readers – a roller coaster ride, twists, turns… and as a writer, we have to challenge ourselves to deliver them.

  1. Don’t tell me the moon is shining; show me the glint of light on broken glass.

Anton Chekhov

If you have ever been in a critique group, you’ve heard this a thousand times. This is the essence of “show versus tell” and it’s the main thing lacking in your writing. This is what immerses a reader in your story.

  1. All readers come to fiction as willing accomplices to your lies.

Steve Almond

This is very liberating for a writer to realize. Once you get it, the doors are open to a lot of stuff – if you have the guts to write it. Willing accomplices. They want you to do it. That’s huge.

  1. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

Kurt Vonnegut

It’s also been said as, he who tries to please everyone with a story pleases no one. Find your muse and write to her. Not every story is for every reader.

  1. Great writing isn’t safe.

Dan Alatorre

It’s not gratuitous to include myself on this list because I work with a lot of new writers and this is what they’re afraid of: someone I know might read this! Put that aside and write in a way that will grab the reader, about any topic. If it feels real enough and you put the emotion in, readers will laugh with your characters and cry with them, and thank you afterward. But it’s a lot of effort, and you really have to put your bare soul on the page. Go there.

  1. It ain’t whatcha write, it’s the way ‘atcha write it.

Jack Kerouac

Your writing voice is yours, not a copy of someone else’s, and you must use it as a tool to deliver the goods. In that, style counts.

  1. The best stories don’t come from “good vs. evil,” but “good vs. good.”

Leo Tolstoy

For the bad guy’s point of view, he’s probably not the bad guy. Mind = blown. And understanding that, your writing just went to a new level.

  1. No tears in the writer, no tears in the reader.

Robert Frost

Pour emotion onto the page. Have tears falling into the keyboard as you create the drama. You can, and when you do, your reader gets it because it reads true.

  1. Good books don’t give up all their secrets at once

Stephen King

What can I say? We all love/hate to be teased. We all love a good surprise midway through. We all love a good twist. We all… well, you get it.

(It’s okay to have a few more, for after the writing, for the editing, the publishing, the motivation to start, the evaluating afterward…)

  1. A good story is life, with the dull parts taken out.

Alfred Hitchcock

I love this quote, and not just because I messed it up while texting from a jacuzzi with a friend. If it’s seen as life, it’s relatable. But it’s not everything from life. That’d be boring. Just the good stuff. That’ll make a nice foundation for a good story.

  1. Don’t wait. The time will never be just right.

Napoleon Hill

Do not deprive the world of your story. Don’t polish it forever, because at some point it’s not better, it’s just different. Publish it and get on to your next one. You have more than one great story in you.

  1. If you wait for inspiration, you’re a waiter, not a writer.

Dan Poynter

That hurts to read, doesn’t it? Yeah, so don’t expect the Great American Novel to find you. It won’t. It will come as a result of a lot of hard work and days where you didn’t feel like writing but did anyway.

  1. If it’s funny enough, you can do anything.

Dan Alatorre

I have covered the most egregious topics imaginable by being funny when I did it. And as a rule, this totally works. Think court jester, speaking truth to power, but without the silly hat thing.

  1. If a book is well written, I always find it too short.

Jane Austen

I think everyone does. Don’t worry about the length of your story, worry about how engaging it is.

  1. And now that you don’t have to be perfect, you can be good.

John Steinbeck

This gives you permission to have early works. Everyone will expect you to get better with each story you write, because you are constantly learning and improving. Your next book is you best one, and none will be perfect, so stop expecting that and stop denying the world of your stories.

SPECIAL THANKS TO DAN ALATORRE – AUTHOR! (for compiling this list)

SILENCE IS NOT GOLDEN!

I recently read a “writer’s advice” column telling authors to avoid political posts if they want to increase their book sales.

I disagree!

This is how whole populations are silenced.

Those of us who write, have a responsibility to speak up loud and clear for those whose voices are whispers.

If writers shy away from expressing their views, they are capitulating to those in power, who happily quash any questioning of their authority, action or inaction.

Throughout history, writers have been at the forefront of free speech. If we stay on the side-lines, in order to make a profit, we do a disservice to not just our own readers, but to our society in general.

 

Your thoughts?

OKAY…OKAY…I’M UP, FOR GOD’S SAKE!

The rumbling and swooshing and screeching woke me long before the alarm clock sounded.

 

Did a freight train jump the tracks? Was there a terrorist attack? A horrible traffic accident?

 

In a stumbling, drunken-like stupor, I made my way to the open bedroom window to discover the source of the fearsome cacophony . . . It sounded like a thousand needles prickling the predawn sky.

Standing there in the cool darkness, I realized, as the latest gush surrounded me and pushed past — The last of the brown, crumbling, dead leaves were being hurled and smashed to smithereens against any barrier standing in their way by . . . 

 

Mother Nature, blowing Autumn off and making way for the entrance of Winter!

 

(I understand she has an important job to do . . . but, couldn’t the bitch have waited until after the alarm went off? Geez.)

 

 

 

 

 

 

 

NO CRUTCHES ALLOWED!

Your Secret Editing Weapon: Lose Your Crutch Words

I know the copy editor was just trying to be nice, but I burst out laughing at her carefully worded comment in my last manuscript. I had to imagine what she must have thought as she realized she needed to mention it.

What the flick?

“Please note ‘flickering’ throughout” she wrote. Then she put a smiley-face so I’d understand she wasn’t being critical, only supportive, and went on to say, “There seems to be a lot of flickering going on in your manuscript.”

Flickering I thought? Flickering? I was baffled. But when I did an edit-find for flicker, there it was. I mean, there it was. Again and again and again.

Monitors flickered. People’s eyes flickered. Birds flickered. Lights flickered. I can’t even remember all the things that flickered. Somehow I had gotten that word into my head, and apparently it seemed like a good one, and every day as I wrote my thousand words, I guess I figured I should use it. It never crossed my mind that I was repeating it. Like crazy.

Just don’t

Has your own version of “flicker” happened to you? Trust me, it has. When we’re in the midst of writing, when we’re in the zone and the words are flowing, our brains tend to default to words that are comfortable. How many times do you write “of course”? How many times do you write “right”? Right? How about “just”?

What would happen if you went through your manuscript looking for those words? How many do you think you would find? I promise you, you’ll be shocked at how many times you type “just.” You don’t even notice it. But it is just clogging your manuscript.

Oops, I said it again. And “even.” That’s another one.

Actually, crutch words make everyone the same

Whatever. Does more than one character say whatever? Does more than one character say “you’re kidding me?” Does more than one character say “I know, right?” ? Not only do we latch on to our personal crutch phrases, but we tend to assign them to every character. That’s a pitfall because it makes every character sound just the same.

I mean—the same. Not “just” the same.

Actually. Certainly. Supposedly. Allegedly. By the name of. As a result. Really. How many times do you use those?

More important: How many of them do you need?

Pick one of your words. Put it in edit-find. (You know how to do that, right?) Prepare to be amazed. And you might as well laugh, because now you have the power to fix it.

Next, see if your manuscript is—over qualified. How often do you use kind of, sort of, possibly, maybe, a little? What are you qualifying? What would happen to your manuscript if you cut those sentence softeners? Try it. Doesn’t it sound stronger to say it is something, rather than a little bit something?

Raise your hand if you’ve heard this

And check your choreography. How often do people tuck their hair behind their ear? Wave someone off? Flip a hand. Raise an eyebrow. Raise both eyebrows? How often do people nod? Or pause? Or pause, nodding?

Do people shrug? Do they grin? Do they shrug and grin? Think about it. In real life, people rarely do those things. Shrugging, maybe. Grinning? Not so much. And shrugging and grinning is as goofy as it gets.

It’s damn important, though, for a stronger manuscript

When you excise your crutch words, you’ll see your manuscript take on a new quality. In my current WIP, the copy editor noted the word “though.” I mean…though? But when I did my faithful edit-find, I found I’d used it 72 times. Seventy-two times! I thought: why didn’t I say although? Why didn’t I say but? Why didn’t I rearrange the sentence so the entire structure was different? When I took out all but about 15 of those “thoughs,” the sentence rhythm changed. The balance changed. After noticing my repetitions, I had to think harder about new ways to express the same thought—and the result was a stronger manuscript.

Oh, I forgot “very.” How many verys do you have? Mark Twain, the story goes, had a perfect solution. He suggested every time you want to use the word “very,” replace it with the word “damn.” Then your editor will take it out, and your sentence will read the way it should have in the first place.

So here’s today’s tip—go on a treasure hunt for your personal repetitions. And keep a list of them to remind you!

And then—get writing.

 

The “find” option can become your best friend when editing. Please feel free to share your most common crutch words in the Comments section of this post…it may help the rest of us kick those crutches to the curb!—L.C. Bennett Stern

 

SUMMERTIME♫ . . . AND THE READING IS EASY!

Well, folks . . . I did it!

 

Mae’s Revenge is available just in time for your first weekend of Summer, 2017!

 

The lovely ladies (pictured above) simply could not wait another moment to find out exactly what goes on inside this historical novella.

 

And now — you don’t have to wait, either!

Available on Amazon.com: 

https://www.amazon.com/Maes-Revenge-Mari-Theater-Trilogy-ebook/dp/B071KDKT7V/

 

Thank you, dear readers, for sharing this adventure with me, and I hope you enjoy Mae’s Revenge! (Available in E-book and paperback versions.) Please don’t hesitate to use the “comment” option, above.

IN GOD? WE TRUST

Frame of Mind series. Composition of human face wire-frame and fractal elements with metaphorical relationship to mind reason thought mental powers and mystic consciousness

I recently hit upon the idea that God (my god, your god, the force, whatever name you give universal truth) brings enlightenment through science…

Consider all of the changes in thinking that have occurred because of scientific discovery, and all the damage done through science denial.

We humans have the capacity to reason. This is a powerful gift which has continued to expand throughout the history of humankind. One brick of knowledge upon another, and then another, ad infinitum.

To my mind, to deny science is to deny “universal truth”/God.

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